Frailty
Bill Paxton's Frailty has a fascinating premise. It plays on the often used Usual Suspects structure, with McConaughey's misterious Fenton Meiks entering an FBI building and confessing the story of his murderous father to an agent working on a mass-murder case. His father, Dad Meiks (Bill Paxton) one day woke his two sons to tell them that he had been visited by an angel, and his new purpose in life was to kill 'demons', whose names were supplied to him by God. The younger son, Adam (Jeremy Sumpter) believes him; the older son, Fenton (Matt O'Leary, a younger version of McConaughey's character) does not.
Don't be fooled by the childish sounding premise - this is a very serious and often deeply disturbing film, with hardly a hint of comedy to be found. Bill Paxton is fantastic as usual, and his direction is competent, if a little heavy-handed. The great strength of Frailty actually lies in its child star, Matt O'Leary, who is a fantastic talent and carries his character and much of the film amazingly well. A young Sumpter, who could recently be seen in the title role of Peter Pan, is also very good for his age.
The killings are geniunely terrifying, not because of any blood or gore, but because Meiks commits them right in front of his children, and forces them to watch. These scenes are gracefully and effectively handled, making up for any rough patches in the film.
Sadly, there are a few problems. Some of the dialouge is clunky and repititive, the plot can be very predictable, and McConaughey's acting leaves something to be desired. On first glance, you might also think that the third act 'twist' is extremely pathetic, and, as a twist, I suppose it is. But the quality of Frailty doesn't lie in its ability to surprise, rather its ability to stick in your mind for days after you've seen it. It is an unforgettable and deeply disturbing film, which only improves once you work out all the subtle details of its twisted plot. ****1/2 out of 5.